{"title":"Printed Underground: Scenes, Graphics \u0026 DIY Culture","description":"\u003ch2\u003eWhat This Collection Holds\u003c\/h2\u003e\n\u003cp\u003ePrinted Underground gathers books, graphic archives and personal documents produced in and around noise, punk, industrial, metal, rave and related underground scenes. The material spans printed ephemera — flyers, logos, sleeve artwork — alongside label histories, cassette network documentation, correspondence and photographic records. These are not retrospective surveys assembled from a distance; they are publications that emerged from the same conditions they describe.\u003c\/p\u003e\n\u003ch2\u003eGraphic Production and Independent Publishing\u003c\/h2\u003e\n\u003cp\u003eA significant part of this collection concerns the visual and material culture of underground circulation: how scenes communicated, identified themselves and distributed their output before and outside commercial channels. Graphic design, self-published print and independent label documentation appear here as primary sources, not as secondary commentary.\u003c\/p\u003e\n\u003ch2\u003eScenes, Documents and Collective Identity\u003c\/h2\u003e\n\u003cp\u003eThe collection draws on source material from multiple scenes without collapsing them into a single narrative. Noise and industrial publications sit alongside punk and metal scene documents; rave culture histories appear next to more diffuse forms of underground collective identity. What holds the selection together is a shared logic of self-organization and printed record — the insistence that these activities be documented on their own terms.\u003c\/p\u003e\n\u003ch2\u003eSelection Principle\u003c\/h2\u003e\n\u003cp\u003eTitles in this collection were chosen for their lasting documentary or graphic value, not for category performance or current visibility. The emphasis is on publications that remain useful as records — of how scenes looked, communicated and sustained themselves over time.\u003c\/p\u003e","products":[{"product_id":"the-cupboard-under-the-stars-a-peek-into-the-john-balance-notebooks","title":"The Cupboard Under The Stars - A Peek into the John Balance Notebooks","description":"\u003cp\u003e\u003cem data-start=\"559\" data-end=\"589\"\u003eThe Cupboard Under The Stars\u003c\/em\u003e is a unique tribute to the visionary artist John Balance (1962–2004), best known as co-founder of the experimental music group Coil. Compiled by longtime admirer Claus Laufenburg, this cloth-bound volume gathers excerpts from Balance’s private notebooks – revealing lyrical sketches, visual experiments, raw poetry, surreal concepts, and annotations from his personal cosmos. Designed with elegance and reverence, the book invites readers into a fragile and luminous inner world that shaped one of the most enigmatic figures in post-industrial music and occult aesthetics.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":51443141935450,"sku":"9791096037100","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/the-cupboard-under-the-stars-cover.jpg?v=1785773346"},{"product_id":"the-last-slogan-regular-edition-genesis-p-orridge","title":"The Last Slogan Regular Edition - Genesis P-Orridge \u0026 Jean-Pierre Turmel","description":"\u003ch2\u003eThe Last Slogan Regular Edition — Genesis P-Orridge correspondence archive\u003c\/h2\u003e\n\u003cp\u003eThe Last Slogan Regular Edition is a 192-page hardcover published by \u003ca href=\"\/collections\/timeless-edition\" title=\"Browse all Timeless Edition publications available at Lokator100\"\u003eTimeless Edition\u003c\/a\u003e (France) in 2022. It collects letters written by Genesis Breyer P-Orridge to Jean-Pierre Turmel spanning the mid-1970s to the early 1990s, supplemented by an unpublished interview conducted by Nicolas Ballet in 2016 and archival documents drawn from Turmel's personal collection.\u003c\/p\u003e\n\u003cp\u003eThe letters are working correspondence — not retrospective commentary. They record plans, positions, and private exchanges from within the ecosystems of Throbbing Gristle and Psychic TV, without framing those contexts as the primary subject. The book functions as a document of method, assembled from primary sources rather than constructed as biography. It sits within the broader field of \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore books on music, sound art, and experimental culture\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e as a publication grounded in correspondence and archival practice.\u003c\/p\u003e\n\u003ch3\u003eWhat the book contains\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLetters from Genesis Breyer P-Orridge to Jean-Pierre Turmel (mid-1970s to early 1990s)\u003c\/li\u003e\n\u003cli\u003eUnpublished interview with Genesis P-Orridge, conducted by Nicolas Ballet (2016)\u003c\/li\u003e\n\u003cli\u003eTheory texts and archival documents from Turmel's personal collection\u003c\/li\u003e\n\u003cli\u003eAll texts in English\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRegular Edition and Limited Edition\u003c\/h3\u003e\n\u003cp\u003eThis is the Regular Edition: a standard hardcover printed on Arena Extra White 170 g paper, 22 × 30 cm, 192 pages. A separate variant with additional content and a smaller print run is also available: \u003ca href=\"\/products\/the-last-slogan-limited-edition-genesis-p-orridge\" title=\"Ver la edición limitada de The Last Slogan con extras exclusivos\"\u003eThe Last Slogan Limited Edition - Genesis P-Orridge \u0026amp; Jean-Pierre Turmel\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eReaders connected to adjacent figures in industrial and experimental culture — including \u003ca href=\"\/collections\/john-balance\" title=\"Books and publications related to John Balance and Coil\"\u003eJohn Balance\u003c\/a\u003e — may find the archival scope of this volume relevant to those interests.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":53762272231770,"sku":"TE-TLE-2022-GPO-RE","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/the-last-slogan-regular-edition-cover.jpg?v=1788630166"},{"product_id":"bright-lights-and-cats-with-no-mouths-john-balance","title":"Bright Lights and Cats with No Mouths - John Balance (Extended Edition, 2024)","description":"\u003ch2\u003eBright Lights and Cats with No Mouths — Extended Edition, 2024\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eBright Lights and Cats with No Mouths\u003c\/em\u003e is a 300-page hardcover survey of \u003ca href=\"\/collections\/john-balance\" title=\"Browse all John Balance titles at Lokator100\"\u003eJohn Balance\u003c\/a\u003e's work on paper, published by \u003ca href=\"\/collections\/timeless-edition\" title=\"Explore the full Timeless Edition catalogue at Lokator100\"\u003eTimeless Edition\u003c\/a\u003e in 2024. This Extended Edition expands and redesigns the original publication, adding 40 pages of previously unreproduced works. The print run is limited to 400 copies.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is new in this edition\u003c\/h3\u003e\n\u003cp\u003eThe 2024 Extended Edition is not a reprint. It has been reformatted and redesigned throughout. The 40 pages of new art include works that have not appeared in any prior edition. Texts by Val Denham and Jeremy Reed are included, alongside a magico-critical appreciation by BC. The result is a substantially expanded object that stands apart from earlier versions of the book.\u003c\/p\u003e\n\n\u003ch3\u003eJohn Balance art on paper\u003c\/h3\u003e\n\u003cp\u003eThe drawings and paintings collected here operate through private symbolic systems — recurring figures, dense mark-making, and an internal logic that resists easy categorisation. This is not illustrative work, nor is it subordinate to any other practice. It reads as a body of work with its own coherence and its own terms. Balance developed this visual language in parallel with his music, and the book treats it accordingly — as autonomous, not supplementary.\u003c\/p\u003e\n\u003cp\u003eFor those interested in \u003ca href=\"\/collections\/artbooks-artist-publications\" title=\"Browse artist books and publications at Lokator100\"\u003eArtbooks \u0026amp; Artist Publications\u003c\/a\u003e from the post-industrial milieu, or in the broader field of \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore music books and sound culture titles at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e, this publication occupies a specific and considered position. It is not a document of Coil. It is a record of what Balance made when he worked with paper, paint, and ink.\u003c\/p\u003e\n\n\u003ch3\u003eRelated titles\u003c\/h3\u003e\n\u003cp\u003eFurther work by John Balance is available in \u003ca href=\"\/products\/the-abrahadabra-letters-john-balance-anthony-blokdijk\" title=\"The Abrahadabra Letters by John Balance \u0026amp; Anthony Blokdijk\"\u003eThe Abrahadabra Letters\u003c\/a\u003e and \u003ca href=\"\/products\/the-cupboard-under-the-stars-a-peek-into-the-john-balance-notebooks\" title=\"The Cupboard Under The Stars – John Balance Notebooks\"\u003eThe Cupboard Under The Stars - A Peek into the John Balance Notebooks\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch3\u003eCondition and handling\u003c\/h3\u003e\n\u003cp\u003eNew copy. Clean and unused. Packed with rigid protection for safe transit. Dispatched from Germany.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":51483972698458,"sku":"TIMELESS-BRIGHT-LIGHTS","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/bright-lights-and-cats-with-no-mouths-john-balance-extended-cover.jpg?v=1789578516"},{"product_id":"contagious-magick-of-the-super-abundance-ian-johnstone","title":"Contagious Magick of the Super Abundance - Ian Johnstone","description":"\u003cp\u003e\u003cem data-start=\"642\" data-end=\"684\"\u003eContagious Magick of the Super Abundance\u003c\/em\u003e is a richly illustrated monograph celebrating the art and life of \u003cstrong\u003eIan Johnstone\u003c\/strong\u003e (1967–2015), longtime collaborator of \u003cstrong\u003eJohn Balance\u003c\/strong\u003e and \u003cstrong\u003ePeter Christopherson\u003c\/strong\u003e of Coil. Compiled by his close companion \u003cstrong\u003eMikel\u003c\/strong\u003e, this hardcover volume showcases Johnstone's rarely seen works: from darkly poetic ink drawings and anatomical abstractions to haunting photographs, sculptures, and tattoo designs. The book also includes his cover art for Coil, the 23 Stab Wounds of Julius Caesar series, and essays by \u003cstrong\u003eJulie Travis\u003c\/strong\u003e, \u003cstrong\u003eSerena Korda\u003c\/strong\u003e, and \u003cstrong\u003eMikel\u003c\/strong\u003e. With a deeply personal tone, it offers glimpses into Johnstone’s life, his performances, and his transformative vision of ritual, body, and the grotesque.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":51486051303770,"sku":"IAN-CMSA-2025-HC","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/contagious-magick-of-super-abundance-cover.jpg?v=1785790477"},{"product_id":"extreme-music-by-michael-tau","title":"Extreme Music: From Silence to Noise and Everything In Between - Michael Tau","description":"\u003cp\u003e\u003cem data-start=\"368\" data-end=\"383\"\u003eExtreme Music\u003c\/em\u003e is a comprehensive dive into the outermost zones of sound and silence. Across over 450 pages, Michael Tau charts the vast and bizarre terrain of non-mainstream musical expression — from the punishing extremes of harsh noise and speedcore to the philosophical paradoxes of silence, glitch, and anti-records. Featuring over 100 interviews and archival imagery, this richly documented guide explores volume, duration, vulgarity, unplayable formats, outdated media, digital subcultures, and more. Drawing on his experience as both fan and physician, Tau uncovers the motivations, obsessions, and contradictions behind this fascinating audio underground. A definitive cultural archive for the curious and the committed.\u003c\/p\u003e","brand":"Feral House","offers":[{"title":"Default Title","offer_id":51530593075546,"sku":"9781627311243","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/extreme-music-michael-tau-cover.jpg?v=1785784409"},{"product_id":"murder-ballads-old-and-new-steven-l-jones","title":"Murder Ballads Old \u0026 New - Steven L. Jones","description":"\u003cp\u003e\u003cem data-start=\"432\" data-end=\"484\"\u003eMurder Ballads Old \u0026amp; New: A Dark and Bloody Record\u003c\/em\u003e by Steven L. Jones is a chilling and deeply researched journey into the American obsession with death, loss, and violence as told through song. Covering everything from obscure 18th-century laments to punk-era reinterpretations, this book traces the cultural legacy of true crime storytelling in music. Jones unpacks the stories behind classic murder ballads, explores their psychological and sociological roots, and follows their influence across generations. With black-and-white archival imagery and a blend of musicology, folklore, and dark Americana, \u003cem data-start=\"1041\" data-end=\"1067\"\u003eMurder Ballads Old \u0026amp; New\u003c\/em\u003e is essential reading for fans of folk, punk, alternative country, and American Gothic culture.\u003c\/p\u003e","brand":"Feral House","offers":[{"title":"Default Title","offer_id":51552157073754,"sku":"9781627311335","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/murder-ballads-old-and-new-steven-l-jones-cover.jpg?v=1785776949"},{"product_id":"the-art-of-noise-destruction-of-music-by-futurist-machines","title":"The Art of Noise: Destruction of Music by Futurist Machines","description":"\u003cp data-start=\"1371\" data-end=\"1692\"\u003e\u003cem data-start=\"1371\" data-end=\"1432\"\u003eThe Art of Noise: Destruction of Music by Futurist Machines\u003c\/em\u003e collects the core Futurist writings that treat sound as a weapon against tradition. The tone is programmatic, technical, and unusually readable. It helps trace how \u003cstrong data-start=\"1597\" data-end=\"1612\"\u003enoise music\u003c\/strong\u003e begins as theory before it becomes genre. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1694\" data-end=\"2013\"\u003eThe book centers on Luigi Russolo’s manifesto \u003cstrong data-start=\"1740\" data-end=\"1761\"\u003eThe Art of Noises\u003c\/strong\u003e and related texts on Futurist noise machines. It also includes Francesco Balilla Pratella’s key music manifestos. This expanded edition adds F. T. Marinetti’s 1909 manifesto, anchoring the movement’s wider agenda. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2015\" data-end=\"2262\"\u003eBeyond the headline texts, you get contextual material and a chronology. For collectors of \u003cstrong data-start=\"2106\" data-end=\"2126\"\u003eItalian Futurism\u003c\/strong\u003e and \u003cstrong data-start=\"2131\" data-end=\"2144\"\u003esound art\u003c\/strong\u003e, this is a compact reference that connects music, ideology, and visual culture. \u003cspan class=\"\" data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Deicide Press","offers":[{"title":"Default Title","offer_id":51569623204186,"sku":"9781840686869","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/the-art-of-noise-cover.jpg?v=1785786747"},{"product_id":"in-steel-grey-armour-genesis-p-orridge-yves-adrien-olivier-naudin","title":"In Steel Grey Armour - Genesis P-Orridge, Yves Adrien, Olivier Naudin","description":"\u003cp\u003e\u003cem data-start=\"295\" data-end=\"317\"\u003eIn Steel Grey Armour\u003c\/em\u003e is a bilingual (English\/French) hardcover art book presenting the complete reproduction of Genesis P-Orridge’s enigmatic collage work, originally created in 1979 and entrusted to French music journalist Yves Adrien (\u003cem data-start=\"534\" data-end=\"547\"\u003eRock’n’Folk\u003c\/em\u003e). This edition documents their artistic and personal connection through rare letters, photographs, and exchanged artworks. It concludes with reflections from the current owner of the original collage book, tracing its journey through the Parisian underground art scene and the legendary bookshop \u003cem data-start=\"844\" data-end=\"863\"\u003eUn Regard Moderne\u003c\/em\u003e. Printed on high-quality Arena Extra White 170 g paper, this 96-page publication offers a unique glimpse into avant-garde art and counterculture.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":52244740309338,"sku":"979-10-96037-16-2","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/in-steel-grey-armour-front-cover.jpg?v=1785778755"},{"product_id":"the-last-slogan-limited-edition-genesis-p-orridge","title":"The Last Slogan Limited Edition - Genesis P-Orridge \u0026 Jean-Pierre Turmel","description":"\u003ch2\u003eArchive correspondence in a clothbound limited edition\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eThe Last Slogan\u003c\/em\u003e Limited Edition is a 192-page clothbound archive published by \u003ca href=\"\/collections\/timeless-edition\" title=\"Explore the full Timeless Edition catalogue at Lokator100\"\u003eTimeless Edition\u003c\/a\u003e (France) in 2022. It gathers letters written by \u003ca href=\"\/collections\/genesis-p-orridge\" title=\"Browse all Genesis P-Orridge titles at Lokator100\"\u003eGenesis P-Orridge\u003c\/a\u003e to Jean-Pierre Turmel from the mid-1970s to the early 1990s — working correspondence that documents strategies, plans, and process without public-facing mediation. This edition is limited to 100 numbered copies and is distinct from \u003ca href=\"\/products\/the-last-slogan-regular-edition-genesis-p-orridge\" title=\"View the regular edition of The Last Slogan by Genesis P-Orridge\"\u003eThe Last Slogan Regular Edition - Genesis P-Orridge \u0026amp; Jean-Pierre Turmel\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eWhat the book contains\u003c\/h2\u003e\n\u003cp\u003eThe primary material is the correspondence itself: letters spanning roughly two decades, drawn from Turmel's personal archive. The volume also includes an unpublished interview conducted by Nicolas Ballet in 2016, alongside theory texts and archival documents from the same source. All texts are in English.\u003c\/p\u003e\n\n\u003ch2\u003eLimited edition specifics\u003c\/h2\u003e\n\u003cp\u003eThe Limited Edition is distinguished from the Regular Edition by its binding and accompanying materials. The clothbound cover carries a 4-colour silkscreen print. Each copy is accompanied by \u003cem\u003eParanoia Club #1\u003c\/em\u003e, an artzine assembled as a homage to Genesis P-Orridge's influence on alternative culture, with contributions from Bazooka members and other artists. A fold-out poster is also included. The edition is numbered to 100 copies.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlternative clothbound cover, 4-colour silkscreen\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eParanoia Club #1\u003c\/em\u003e artzine (included)\u003c\/li\u003e\n\u003cli\u003eFold-out poster (included)\u003c\/li\u003e\n\u003cli\u003eLimited to 100 numbered copies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eContributors\u003c\/h2\u003e\n\u003cp\u003eGenesis Breyer P-Orridge (1950–2020) was an English artist, writer, and musician whose practice crossed mail art, performance, sound, and publishing. The letters in this volume show that work in real time, unmediated.\u003c\/p\u003e\n\u003cp\u003eJean-Pierre Turmel is a French editor and collector, co-founder of the Sordide Sentimental label. His personal archive provides the documentary foundation for this publication. Nicolas Ballet conducted the 2016 interview included in the volume.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParanoia Club #1\u003c\/em\u003e features contributions from: Bazooka members Kiki Picasso, Loulou Picasso, Lulu Larsen, and Ti5dur; Yves Von Bontee, Marc Caro, Bruno Richard, Marie Losier, Nicolas Ballet, Rainier Lericolais, Pierre Belouin, Florian \u0026amp; Michael Quistrebert, Vivien Turmel, Val Denham, and Jym Daly (Eden 23).\u003c\/p\u003e\n\u003cp\u003eThis title is catalogued under \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Browse music books and sound culture publications at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e. Readers with adjacent interests may also find relevant material in the \u003ca href=\"\/collections\/john-balance\" title=\"Explore John Balance titles at Lokator100\"\u003eJohn Balance\u003c\/a\u003e collection.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":52244976894298,"sku":"TE-TLE-2022-GPO-LE","price":78.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/the-last-slogan-limited-edition-full-set.jpg?v=1785780234"},{"product_id":"the-universe-is-a-haunted-house","title":"The Universe is a Haunted House: COIL through their art \u0026 archives","description":"\u003cp\u003e\u003cem data-start=\"654\" data-end=\"722\"\u003eThe Universe is a Haunted House: COIL through their art \u0026amp; archives\u003c\/em\u003e is an extensive 400-page hardcover volume dedicated to the visionary work of the experimental band COIL.\u003cbr data-start=\"827\" data-end=\"830\"\u003eCompiled from the private archives of \u003cstrong data-start=\"868\" data-end=\"884\"\u003eJohn Balance\u003c\/strong\u003e and \u003cstrong data-start=\"889\" data-end=\"913\"\u003ePeter Christopherson\u003c\/strong\u003e, the book brings together rare photographs, artwork, letters, and ephemera, offering a deep insight into COIL's unique artistic universe.\u003cbr data-start=\"1051\" data-end=\"1054\"\u003ePublished by \u003cstrong data-start=\"1067\" data-end=\"1087\"\u003eTimeless Edition\u003c\/strong\u003e, this meticulously curated publication traces the band’s influence across music, visual culture, and esoteric traditions.\u003cbr data-start=\"1209\" data-end=\"1212\"\u003eAn essential collector’s piece for fans of industrial, experimental, and occult-inspired art and sound.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":52245184053594,"sku":"9791096037056","price":110.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/the-universe-is-a-haunted-house-coil-cover.jpg?v=1785770422"},{"product_id":"eidola-of-set-the-art-of-skullflower","title":"Eidola of Set – The Art of Skullflower","description":"\u003ch2\u003eEidola of Set – The Art of Skullflower\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eEidola of Set\u003c\/em\u003e is a hardcover artbook published by \u003ca href=\"\/collections\/timeless-edition\" title=\"Explore the full Timeless Edition catalogue at Lokator100\"\u003eTimeless Edition\u003c\/a\u003e in 2020, gathering the visual work of \u003ca href=\"\/collections\/matthew-bower-samantha-davies\" title=\"Browse all titles by Matthew Bower \u0026amp; Samantha Davies at Lokator100\"\u003eMatthew Bower \u0026amp; Samantha Davies\u003c\/a\u003e of Skullflower. Across 140 pages, the book moves through drawings, paintings, sculpture, found objects, and text, structured around the invocation and evocation of the Egyptian god Set. Texts are contributed by David Wood and Samantha Davies.\u003c\/p\u003e\n\u003ch2\u003eAbout the Book\u003c\/h2\u003e\n\u003cp\u003eSet occupies the symbolic centre of this publication — not as a subject to be explained, but as a force to be invoked. The material accumulates through repetition: images return, motifs recur, pressure builds. The logic is closer to ritual than to retrospective.\u003c\/p\u003e\n\u003cp\u003eThe range of media is deliberate. Drawings sit alongside paintings, sculpture, and found objects; text enters not as commentary but as another register of the same field. Nothing functions as illustration. The book operates as a self-contained visual body of work, dense and concentrated in a way that recorded sound cannot be.\u003c\/p\u003e\n\u003cp\u003eFor readers drawn to \u003ca href=\"\/collections\/artbooks-artist-publications\" title=\"Browse artbooks and artist publications at Lokator100\"\u003eArtbooks\u003c\/a\u003e in the underground tradition, or to publications at the intersection of \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore music books and sound culture publications at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e and visual practice, this publication occupies a precise position: neither band documentation nor supplementary merchandise, but a primary visual work in its own right.\u003c\/p\u003e","brand":"Timeless Edition","offers":[{"title":"Default Title","offer_id":52249118933338,"sku":"979-10-96037-19-3","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/eidola-of-set-the-art-of-skullflower-front-cover.jpg?v=1785786702"},{"product_id":"the-bizarre-world-of-fake-video-games-super-eyepatch-wolf","title":"The Bizarre World of Fake Video Games — Super Eyepatch Wolf","description":"\u003ch2\u003eThe Bizarre World of Fake Video Games\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eThe Bizarre World of Fake Video Games\u003c\/em\u003e is the first volume in the U.D.W.F.G. essays series (underdarkweirdfantasygrounds), written by \u003ca href=\"\/collections\/super-eyepatch-wolf\"\u003eSuper Eyepatch Wolf\u003c\/a\u003e and published by \u003ca href=\"\/collections\/hollow-press\"\u003eHollow Press\u003c\/a\u003e in November 2025. The book takes the form of an essay collection built around video games that do not exist — reviews, previews, and retrospectives of titles drawn from an imaginary timeline, using the phenomenon of fake games as a way of examining internet folklore, fandom behaviour, and dark weird fantasy.\u003c\/p\u003e\n\u003cp\u003eThe approach is investigative rather than satirical. Fictional titles such as Apple Quest, Bird World, Ghostbleed, Valle Verde, and Vermis are treated as objects of genuine critical attention, each accompanied by original artwork and its own internal lore. The result sits between essay collection and art book, closer in spirit to a critic's guide to a medium that never existed than to a straightforward parody. Readers interested in the broader category can browse \u003ca href=\"\/collections\/lost-worlds-imaginary-games\"\u003eLost Worlds \u0026amp; Imaginary Games\u003c\/a\u003e for related titles.\u003c\/p\u003e\n\u003cp\u003eTwenty-one artists contributed original artwork across the volume's 176 full-colour pages, each responding to a specific fake game entry. The cover, by \u003ca href=\"\/collections\/plastiboo\"\u003ePlastiboo\u003c\/a\u003e — also known for the Vermis series referenced within the book — is printed in UV full colour over holographic silver hot-foil on Onyx Pearl cover paper. The interior is printed on Magno Volume paper, and the binding includes a silver ribbon bookmark. At A4 format and roughly 1.1 kg, it is a substantial, tactile object consistent with Hollow Press's production standards.\u003c\/p\u003e\n\u003cp\u003eSuper Eyepatch Wolf, credited under his given name John Walsh, is an Irish video essayist and critic known for long-form work on anime, manga, and video game culture, as well as internet phenomena more broadly. \u003cem\u003eThe Bizarre World of Fake Video Games\u003c\/em\u003e is his first book-length project, extending the critical interests of his video work into print and establishing the editorial framework for the U.D.W.F.G. essays series.\u003c\/p\u003e\n\u003cp\u003eThis is the first English regular edition, limited to 10,000 copies. The title is part of Lokator100's \u003ca href=\"\/collections\/artbooks-artist-publications\"\u003eArtbooks \u0026amp; Artist Publications\u003c\/a\u003e selection, alongside other Hollow Press releases.\u003c\/p\u003e","brand":"Hollow Press","offers":[{"title":"Default Title","offer_id":53080357994842,"sku":"hp-bizarre-fake-videogames-en-reg","price":44.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/the-bizarre-world-of-fake-video-games-super-eyepatch-wolf-front-cover.jpg?v=1790931037"},{"product_id":"return-by-larry-clark","title":"Return — Larry Clark","description":"\u003ch2\u003eReturn by Larry Clark — Vintage Prints 1962–1973\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eReturn by Larry Clark\u003c\/strong\u003e is a large-format photobook published by \u003ca href=\"\/collections\/stanley-barker\" title=\"Explore the full Stanley\/Barker catalogue at Lokator100\"\u003eSTANLEY\/BARKER\u003c\/a\u003e in 2024. Edited from vintage prints spanning 1962–1973, it revisits the Tulsa years — the period during which Clark photographed from within his own social circle, not as an outside observer.\u003c\/p\u003e\u003cp\u003eThe editorial approach is archival rather than retrospective. The images do not frame the material as recovered history or subject it to retrospective commentary. \u003ca href=\"\/collections\/larry-clark\" title=\"Browse all Larry Clark titles available at Lokator100\"\u003eLarry Clark\u003c\/a\u003e was inside the circle he photographed — a position that determined what the camera could see and how close it could get. The resulting edit reads as a deliberate re-examination of that proximity, assembled with the clarity of someone who knows exactly what was left out of earlier presentations of the same archive.\u003c\/p\u003e\u003cp\u003eAs a physical object, the book is built for sustained attention. The large format — 330 × 245 mm — allows the prints to hold their grain and weight at scale. The board back with silkscreened flexible jacket is consistent with the production standards associated with the publisher. At 72 pages, the edit is spare and considered.\u003c\/p\u003e\u003cp\u003eFor collectors working through Clark's output or building a focused library of American documentary photography, \u003cem\u003eReturn\u003c\/em\u003e occupies a distinct position: it is neither a reprint of \u003cem\u003eTulsa\u003c\/em\u003e nor a survey of the full archive, but a separate editorial act applied to the same source material. Browse the \u003ca href=\"\/collections\/photography-photobooks\" title=\"Browse the photobook collection at Lokator100\"\u003ePhotobooks\u003c\/a\u003e collection for further titles in this area.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Stanley\/Barker","offers":[{"title":"Default Title","offer_id":53155741204826,"sku":"9781913288754","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/return-larry-clark-cover-portrait.jpg?v=1785777888"},{"product_id":"death-metal-graphics-1980-2020-masala-noir","title":"Death Metal Graphics (1980–2020)","description":"\u003ch2\u003eAn archival record of death metal graphics across four decades\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eDeath Metal Graphics (1980–2020)\u003c\/em\u003e is a compact compilation of visual material drawn from death metal vinyl and cassette culture, assembled by \u003ca href=\"\/collections\/masala-noir\" title=\"Browse all Masala Noir publications at Lokator100\"\u003eMasala Noir\u003c\/a\u003e and spanning the full period from 1980 to 2020. The book functions as an archive rather than a critical survey — no thesis, no argument, no editorial framing beyond the selection itself.\u003c\/p\u003e\n\u003cp\u003eAcross 240 pages, the material moves through logos, illustration styles, layout conventions, and typographic choices that constitute the genre's visual language. The approach is accumulative: shifts in iconography, density, and contrast register gradually across four decades rather than through any single break. Death metal graphic design is treated here as a surface phenomenon — type, symbol, and image examined on their own terms, without subordination to music history or cultural commentary.\u003c\/p\u003e\n\u003cp\u003eThe volume addresses two audiences directly: collectors of metal ephemera, and researchers or practitioners working in underground graphic design. It offers a controlled, concentrated reference for a body of imagery that is otherwise dispersed across physical formats and private collections.\u003c\/p\u003e\n\u003cp\u003eRelated titles in the same format series include \u003ca href=\"\/products\/speed-metal-logos-1990-2020\" title=\"Speed Metal Logos (1990–2020) — related Masala Noir graphic archive\"\u003eSpeed Metal Logos (1990–2020)\u003c\/a\u003e, \u003ca href=\"\/products\/japanese-punk-graphics-1980-2010\" title=\"Japanese Punk Graphics (1980–2010) — underground visual culture archive\"\u003eJapanese Punk Graphics (1980–2010)\u003c\/a\u003e, and \u003ca href=\"\/products\/new-wave-post-punk-graphics-1980-2000\" title=\"New Wave \/ Post-Punk Graphics (1980–2000) — related graphic archive title\"\u003eNew Wave \/ Post-Punk Graphics (1980–2000)\u003c\/a\u003e. Further titles in underground visual culture are available in the \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore music books and sound culture publications at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e section of the Lokator100 catalogue.\u003c\/p\u003e","brand":"Masala Noir","offers":[{"title":"Default Title","offer_id":53471805538650,"sku":"9782958689032","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/death-metal-graphics-front-cover.jpg?v=1785784242"},{"product_id":"noise-graphics-book","title":"Noise Graphics 1980–1990 – Masala Noir","description":"\u003ch2\u003eAn Archive of Noise Cover Art, 1980–1990\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eNoise Graphics 1980–1990\u003c\/em\u003e is a noise graphics book structured as a documentary archive rather than a critical survey. It collects vinyl sleeve art and cassette cover design from a decade of underground music production, presenting them as printed evidence of a visual language that operated entirely outside mainstream graphic culture.\u003c\/p\u003e\n\u003cp\u003eThe material logic of the content is inseparable from its subject. DIY typography, collage, xerox textures, hard contrast, and the grain of photocopy duplication are not stylistic choices imposed on the archive — they are the archive. Across 224 pages, covers and related underground ephemera are reproduced in sequence, with the restrained approach of a reference object rather than an editorial one. The focus stays on the small decisions: how type was set, how images were duplicated, how zine aesthetics crossed into record sleeve production at the margins of the noise and industrial scenes.\u003c\/p\u003e\n\u003cp\u003eThe hardcover format, measuring 17 × 22 cm, is compact enough to use as a working reference while substantial enough to hold the density of material it documents. No excess, no spectacle — the format suits the content. For researchers, designers, and collectors working in the history of independent graphic design, cassette cover design, or noise music visual culture, this book functions as a primary source rather than a secondary account.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003ca href=\"\/collections\/masala-noir\" title=\"Browse all Masala Noir titles at Lokator100\"\u003eMasala Noir\u003c\/a\u003e, an imprint with a consistent focus on art and music publications at the edges of mainstream print culture. It sits within the \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore music books and sound culture publications at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e category at Lokator100 — a catalogue section gathering publications at the intersection of sound, print, and independent production.\u003c\/p\u003e\n\u003ch3\u003eRelated titles from Masala Noir\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/products\/death-metal-graphics-1980-2020-masala-noir\" title=\"Death Metal Graphics 1980–2020 — another Masala Noir archive publication\"\u003eDeath Metal Graphics (1980–2020)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/new-wave-post-punk-graphics-1980-2000\" title=\"New Wave and Post-Punk Graphics 1980–2000 — related underground visual archive\"\u003eNew Wave \/ Post-Punk Graphics (1980-2000)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/japanese-punk-graphics-1980-2010\" title=\"Japanese Punk Graphics 1980–2010 — underground graphics archive by Masala Noir\"\u003eJapanese Punk Graphics (1980-2010)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/punk-flyers-1975-2020\" title=\"Punk Flyers 1975–2020 — DIY print culture and underground ephemera\"\u003ePunk Flyers (1975–2020)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Masala Noir","offers":[{"title":"Default Title","offer_id":53477488591194,"sku":"MN-NOISE-GRAPHICS-1980-1990-HC","price":47.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/noise-graphics-1980-1990-masala-noir-cover.jpg?v=1785780748"},{"product_id":"punk-flyers-1975-2020","title":"Punk Flyers (1975–2020)","description":"\u003ch2\u003eA print archive of DIY punk ephemera, 1975–2020\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003ePunk Flyers (1975–2020)\u003c\/em\u003e compiles over 200 original gig flyers into a single, sequenced volume. The reproductions retain the material character of the originals: photocopy noise, cut-and-paste layouts, hand lettering, improvised grids. Nothing is cleaned up or recomposed. What you see is the source document, as printed.\u003c\/p\u003e\n\u003cp\u003eThe book runs to 240 pages in a compact 13 × 17 cm format — dense enough to function as a working reference, small enough to handle without ceremony. The span from 1975 to 2020 traces how punk graphic design shifted across scenes and decades: styles that recur, splinter, and reappear in altered form. The format makes that arc legible without editorialising it.\u003c\/p\u003e\n\u003cp\u003eThis is a practical catalogue of \u003cstrong\u003eDIY punk ephemera\u003c\/strong\u003e — useful to collectors, graphic designers, and zine readers who want primary material rather than retrospective commentary. It belongs in the same category as other \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore our Music Books \u0026amp; Sound Culture collection\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e publications that treat printed artifacts as documents rather than decoration.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003ca href=\"\/collections\/masala-noir\" title=\"Browse all titles published by Masala Noir\"\u003eMasala Noir\u003c\/a\u003e. Dispatched from Germany by Lokator100 in careful packaging, with accurate condition documentation.\u003c\/p\u003e","brand":"Masala Noir","offers":[{"title":"Default Title","offer_id":53479867810138,"sku":"9782958689049","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/punk-flyers-1975-2020-cover-pink-grid.jpg?v=1788895945"},{"product_id":"giftnalen-no-1-kristian-olsson","title":"GIFTNÅLEN no 1 – Kristian Olsson","description":"\u003ch2\u003eGIFTNÅLEN no 1 — an underground arts journal of apocalyptic and occult culture\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eGIFTNÅLEN no 1\u003c\/em\u003e is a 480-page black-and-white hardcover assembled and edited by Kristian Olsson, published in its second edition by \u003ca href=\"\/collections\/korm-plastics\"\u003eKorm Plastics\u003c\/a\u003e in September 2024. At 20 × 29 cm and nearly five hundred pages, it operates at the scale of a book while retaining the accumulative, non-hierarchical logic of a journal.\u003c\/p\u003e\u003ch3\u003eScope and content\u003c\/h3\u003e\u003cp\u003eThe publication draws together apocalyptic culture, outlaw occultism, archaic sorcery, damned poetry, forbidden knowledge, perversion, and sinister visual matter. None of these registers is treated as subordinate to the others; text and image accumulate without a governing editorial distance, producing density rather than argument, atmosphere rather than thesis. The material is printed entirely in black and white, which flattens hierarchies of medium and source — collage, photography, text, and illustration occupy the same tonal space throughout. Within Lokator100's catalogue, the book sits close to the shop's holdings on \u003ca href=\"\/collections\/ritual-magic-the-occult\"\u003eRitual, Magic \u0026amp; the Occult\u003c\/a\u003e.\u003c\/p\u003e\u003ch3\u003eLineage and precedents\u003c\/h3\u003e\u003cp\u003eThe publication situates itself within a specific tradition of late-1980s and early-1990s underground print culture. Publications such as \u003cem\u003eAmok\u003c\/em\u003e, \u003cem\u003eEsoterra\u003c\/em\u003e, \u003cem\u003eRapid Eye Movement\u003c\/em\u003e, \u003cem\u003eSvarta Fanor\u003c\/em\u003e, \u003cem\u003ePandemonium\u003c\/em\u003e, \u003cem\u003eForce Mental\u003c\/em\u003e, and \u003cem\u003eExit\u003c\/em\u003e form the visible lineage. \u003cem\u003eGIFTNÅLEN no 1\u003c\/em\u003e does not reproduce that tradition or treat it as a point of nostalgia — the material here is heavier, more illustrated, and pushed further into excess than most of those precedents allowed.\u003c\/p\u003e\u003ch3\u003eKristian Olsson\u003c\/h3\u003e\u003cp\u003eKristian Olsson is a Swedish noise, industrial, and power electronics artist who also runs the labels Styggelse and Bolvärk. That background is legible throughout the publication: rather than editing from a neutral distance, Olsson assembles the book as a total environment, shaped by someone embedded in industrial and esoteric subculture, with an evident interest in collision, pressure, and cultural excess rather than tidy classification.\u003c\/p\u003e\u003ch3\u003eEdition history\u003c\/h3\u003e\u003cp\u003eThe book was assembled between 2018 and 2023. It was first published by Styggelse Förlag and the Ajna Offensive. The second edition was published by \u003ca href=\"\/collections\/korm-plastics\"\u003eKorm Plastics\u003c\/a\u003e in September 2024, an imprint long associated with the broader industrial and noise milieu documented in Lokator100's \u003ca href=\"\/collections\/music-books-sound-culture\"\u003eMusic Books, Sound Art \u0026amp; Underground Culture\u003c\/a\u003e selection.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":53816531059034,"sku":"KO-GIFTNALEN1-KP","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/giftn-len-no-1-kristian-olsson-cover.jpg?v=1790079425"},{"product_id":"the-abrahadabra-letters-john-balance-anthony-blokdijk","title":"The Abrahadabra Letters – John Balance \u0026 Anthony Blokdijk","description":"\u003ch2\u003e\n\u003cem\u003eThe Abrahadabra Letters\u003c\/em\u003e — Coil Correspondence, 1984–1988\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eThe Abrahadabra Letters\u003c\/em\u003e collects the correspondence between John Balance and Anthony Blokdijk across the years 1984 to 1988. This Second Edition is published by \u003ca href=\"\/collections\/korm-plastics\"\u003eKorm Plastics\u003c\/a\u003e, following an earlier edition issued by Maldoracca in 2016. The current edition is a hardcover of 136 pages measuring 170 × 240 mm, designed by Alfred Boland and prefaced by Nick Soulsby.\u003c\/p\u003e\n\u003ch2\u003eThe Correspondence\u003c\/h2\u003e\n\u003cp\u003eBetween 1984 and 1988, Blokdijk visited Threshold House in London and exchanged letters with Balance. The letters move between practical matters — performances, releases, the logistics of underground exchange — and the more personal register that ran through Coil's early formation. Balance's voice shifts between direct notation and a charged, idiosyncratic tone, reflecting a period of active formation rather than retrospective reflection.\u003c\/p\u003e\n\u003ch2\u003eSupplementary Material\u003c\/h2\u003e\n\u003cp\u003eThe volume extends beyond the letters themselves. Two Coil-related articles from Blokdijk's own \u003cem\u003eAbrahadabra\u003c\/em\u003e magazine are included, alongside an interview he conducted with Coil for the Dutch magazine \u003cem\u003eOpscene\u003c\/em\u003e. Translations of the reproduced magazine material are included. This supplementary layer situates the private exchange within a wider context of underground music print culture in the mid-1980s — zines, correspondence networks, and small-press publication as the connective tissue of a scene working outside mainstream distribution.\u003c\/p\u003e\n\u003ch2\u003eThe Object\u003c\/h2\u003e\n\u003cp\u003eThe book reproduces scans of the original correspondence, preserving Balance's handwriting and decorative marks as they appeared on the page. The publication functions as archival document and physical object at once: Balance's language and rhythms remain directly visible rather than filtered through editorial summary. The current edition's format — hardcover, 170 × 240 mm — is suited to legible reproduction of the original documents.\u003c\/p\u003e\n\u003ch2\u003eContributors\u003c\/h2\u003e\n\u003cp\u003eJohn Balance was co-founder, writer, and central voice of Coil, and his correspondence carried the same intensity and idiosyncratic charge found in the music. Anthony Blokdijk maintained direct contact with Coil during the period covered here; his role in the book extends beyond preservation, adding context through \u003cem\u003eAbrahadabra\u003c\/em\u003e and \u003cem\u003eOpscene\u003c\/em\u003e and shaping private exchange into a readable document of scene history. The foreword is by Nick Soulsby; design is by Alfred Boland.\u003c\/p\u003e\n\u003ch2\u003eWho This Is For\u003c\/h2\u003e\n\u003cp\u003eThis publication is suited to researchers and readers with a serious existing interest in Coil, experimental and post-industrial music history, mail art, and underground print culture of the 1980s. It sits within the broader \u003ca href=\"\/collections\/music-books-sound-culture\"\u003eMusic Books, Sound Art \u0026amp; Underground Culture\u003c\/a\u003e collection as a precise, intimate document rather than a retrospective overview, and alongside other \u003ca href=\"\/collections\/john-balance\"\u003eJohn Balance\u003c\/a\u003e titles in the catalogue. The reader is assumed to bring their own context.\u003c\/p\u003e\n\u003ch2\u003ePublisher\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eThe Abrahadabra Letters\u003c\/em\u003e is published by \u003ca href=\"\/collections\/korm-plastics\"\u003eKorm Plastics\u003c\/a\u003e, the imprint founded by \u003ca href=\"\/collections\/frans-de-waard\"\u003eFrans de Waard\u003c\/a\u003e, whose catalogue concentrates on sound culture, experimental music, and related documentary publications.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":53816739955034,"sku":"JB-ABRAHADABRA-KP","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/the-abrahadabra-letters-john-balance-anthony-blokdijk-front-cover.jpg?v=1791970503"},{"product_id":"electronic-cottage","title":"Electronic Cottage – Hal McGee","description":"\u003ch2\u003eA complete run of \u003cem\u003eElectronic Cottage International Magazine\u003c\/em\u003e in one hardcover volume\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eElectronic Cottage\u003c\/em\u003e is a 468-page hardcover compilation of all six issues of \u003cem\u003eElectronic Cottage International Magazine\u003c\/em\u003e, originally published between 1989 and 1991. Edited by Hal McGee and published by \u003ca href=\"\/collections\/korm-plastics\" title=\"Browse all titles published by Korm Plastics\"\u003eKorm Plastics\u003c\/a\u003e, the book collects the full run of one of the more substantial print documents to emerge from the cassette culture and DIY home recording scene of that period.\u003c\/p\u003e\u003ch2\u003eWhat the magazine documented\u003c\/h2\u003e\u003cp\u003eThe six issues covered a broad range of material: practical articles on home recording, profiles of artists and independent labels, scene discussion, and the ongoing debates that shaped the hometaper community. That range is part of what gives the volume its value as a primary source. \u003cem\u003eElectronic Cottage International Magazine\u003c\/em\u003e was not an observer of the underground music press from outside — it was produced from within the networks it described, and that proximity is legible throughout.\u003c\/p\u003e\u003cp\u003eThe pages show how participants in pre-internet music communities communicated, circulated work, and maintained contact across distances through mail-based exchange and tape trading. As a collected document, the material holds together as a record of how a decentralised culture organised and represented itself in print.\u003c\/p\u003e\u003ch2\u003eEdition and context\u003c\/h2\u003e\u003cp\u003eThis volume carries a foreword by Jerry Kranitz and design by Studio Bertin. It sits within the broader \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore our music books and sound culture catalogue\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e catalogue at Lokator100 — alongside other publications concerned with experimental music, independent publishing, and sound culture history.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":53820984164698,"sku":"HM-ELECTRONICCOTTAGE-KP","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/electronic-cottage-hal-mcgee-front-cover-red-black.jpg?v=1785790797"},{"product_id":"vital-the-complete-collection-1987-1995","title":"Vital – The Complete Collection 1987-1995","description":"\u003ch2\u003e\n\u003cem\u003eVital – The Complete Collection 1987-1995\u003c\/em\u003e: All 44 Issues of Frans de Waard's Fanzine in One Hardcover Volume\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eVital – The Complete Collection 1987-1995\u003c\/em\u003e is a 580-page hardcover published by \u003ca href=\"\/collections\/korm-plastics\" title=\"Browse all titles published by Korm Plastics\"\u003eKorm Plastics\u003c\/a\u003e reprinting all 44 issues of Frans de Waard's fanzine on electronic, electroacoustic, industrial, and cassette culture. Produced between 1987 and 1995 in a low-budget Xerox format, \u003cem\u003eVital\u003c\/em\u003e documented an active underground music scene from within. The collection gathers that run in its entirety, with design by Alfred Boland. First Edition, 2020. ISBN 9789059398634. 17 × 24 cm. English.\u003c\/p\u003e\u003ch2\u003eThe Fanzine and Its Context\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eVital\u003c\/em\u003e began in 1987 as a self-produced publication covering electronic and electroacoustic music at a moment when cassette culture was the primary distribution infrastructure for experimental sound. Operating without institutional backing, it functioned as both a critical organ and a communication network — carrying reviews of tapes, LPs, CDs, and books alongside interviews, essays, and ongoing debates about the nature and ethics of the music it covered. Topics across the run include cassette culture, industrial music, ambient music, noise, plunderphonics, house music, and copyright. When the fanzine moved online in 1995, it continued as \u003cem\u003eVital Weekly\u003c\/em\u003e, a publication that remains active. That continuity is relevant to how the printed collection should be read: it is not an archive of something that ended, but a record of the pre-internet phase of a longer critical project. The volume sits naturally within the broader catalogue of \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Browse our music books and sound culture catalogue\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e at Lokator100.\u003c\/p\u003e\u003ch2\u003eContributors and Interviewees\u003c\/h2\u003e\u003cp\u003eThe range of figures who appear across the 44 issues reflects the breadth of the scenes \u003cem\u003eVital\u003c\/em\u003e addressed. Interviews include Asmus Tietchens, Merzbow, O Yuki Conjugate, P16.D4, Pierre Henry, Jim O'Rourke, Brume, and Döc Wor Mirran. Contributions and discussions also involve Leigh Landy, Godfried Willem Raes, John Duncan, and GX Jupitter-Larsen. Taken together, these names map a specific cross-section of experimental music in the late cassette era — artists and thinkers who were active participants in the scene the fanzine was recording.\u003c\/p\u003e\u003cp\u003eFrans de Waard published \u003cem\u003eVital\u003c\/em\u003e as his primary critical vehicle between 1987 and 1995. When the fanzine moved online, it continued as \u003cem\u003eVital Weekly\u003c\/em\u003e. The printed collection represents the pre-internet phase of that ongoing project.\u003c\/p\u003e\u003ch2\u003eWho This Volume Is For\u003c\/h2\u003e\u003cp\u003eThe collection is addressed to readers with a working knowledge of the field: collectors of experimental music publications, researchers in sound studies and music history, and anyone with a sustained interest in how underground scenes produced and circulated their own documentation — including those working on DIY press history and the infrastructure of pre-internet underground culture.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":53827888218458,"sku":"9789059398634","price":41.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/vital-the-complete-collection-1987-1995-front-cover.jpg?v=1785771568"},{"product_id":"even-when-it-makes-no-sense-the-broken-flag-story","title":"Even When It Makes No Sense – the Broken Flag Story","description":"\u003ch2\u003eBroken Flag, noise, and underground print culture\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eEven When It Makes No Sense – the Broken Flag Story\u003c\/em\u003e by Steve Underwood traces the history of one of the defining labels in the English noise and power electronics underground. Published by \u003ca href=\"\/collections\/korm-plastics\" title=\"Browse all Korm Plastics titles at Lokator100\"\u003eKorm Plastics\u003c\/a\u003e in November 2024, the book expands a text that first appeared in 2010 in \u003cem\u003eAs Loud As Possible\u003c\/em\u003e into a fuller document of sound, print, and cassette culture.\u003c\/p\u003e\n\n\u003ch2\u003eAbout the book\u003c\/h2\u003e\n\u003cp\u003eBroken Flag was founded in 1982 and remained closely associated with Gary Mundy and his project Ramleh throughout its active years. The label's catalogue extended to figures including Le Syndicat, MB, Controlled Bleeding, and Giancarlo Toniutti — a cast that placed Broken Flag at the harder edges of industrial and post-industrial music, where noise, power electronics, and small-edition releases formed a coherent underground world.\u003c\/p\u003e\n\u003cp\u003eUnderwood's approach treats the label not as a discography but as a scene document. The book reads Broken Flag through the structures around it: fanzine culture, cassette design, underground debate, and the visual identity that carried through its releases and printed matter. That framing gives the material a density that a straightforward chronology would not.\u003c\/p\u003e\n\u003cp\u003eThe expanded edition adds new interviews and updates to the original text, reprints two issues of the Broken Flag fanzine, and includes reproductions of many of the label's cassette covers. The result functions simultaneously as narrative history and printed archive — a record of how the label sounded and how it looked.\u003c\/p\u003e\n\n\u003ch2\u003eAbout the publisher\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"\/collections\/korm-plastics\" title=\"Browse all Korm Plastics titles at Lokator100\"\u003eKorm Plastics\u003c\/a\u003e is a Dutch imprint with a long engagement with noise, experimental, and underground music culture. Founded by Frans de Waard — himself a key figure in the noise and experimental underground that \u003cem\u003eEven When It Makes No Sense\u003c\/em\u003e documents — the imprint has consistently produced publications that treat this music with archival seriousness.\u003c\/p\u003e\n\u003cp\u003eThis title is listed under \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Explore music history and sound culture books at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e at Lokator100.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":53844920598874,"sku":"SU-BROKENFLAG-KP","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/even-when-it-makes-no-sense-the-broken-flag-story-front-cover.jpg?v=1785775439"},{"product_id":"we-know-how-to-hate-the-opus-dei-society-story","title":"We Know How To Hate – the Opus Dei Society Story","description":"\u003ch2\u003eWe Know How To Hate — Opus Dei Society, harsh noise, and cassette underground history\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eWe Know How To Hate – the Opus Dei Society Story\u003c\/em\u003e is a compact book by Frans de Waard, published by \u003ca href=\"\/collections\/korm-plastics\" title=\"Explore the full Korm Plastics catalogue at Lokator100\"\u003eKorm Plastics\u003c\/a\u003e, documenting the history of the harsh noise cassette label Opus Dei Society through label notes, interviews, reprinted texts, and underground scene material. The label released twenty-three cassettes; this book traces that catalogue and the wider network of people and practices around it.\u003c\/p\u003e\u003cp\u003eThe book operates as a scene document rather than a simple discography. Moving through each release, it builds a picture of the people, labels, and relationships that surrounded the project. Interviews with Vidna Obmana, Don van Dijk, David Padbury, Eriek van Havere, Stef Windelinx, and Ameury Perez are included, while Peter Zincken contributes autobiographical notes. The catalogue was small, but the network it opens onto is dense — radical sound, small-edition production, and the specific logic of underground circulation in that period.\u003c\/p\u003e\u003cp\u003eWhat distinguishes the publication is the range of material gathered in a compact format. Reprinted pieces include interviews with Con-Dom and THU20, as well as texts on Christian Nijs and his label Disbuse Transmissions, and on the early work of Peter Zincken as Odal. The book is useful not only as label history but as a concentrated archive of power electronics and cassette-era underground culture — the kind of record that rarely gets written at this level of specificity.\u003c\/p\u003e\u003cp\u003eReaders with an interest in \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Browse music history and sound culture books at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e, DIY music press history, or industrial and noise documentation will find the scope here well matched to the subject: local, embedded, and precise.\u003c\/p\u003e\u003ch3\u003e23 cassettes, interviews, reprints, and scene memory\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Frans de Waard\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Korm Plastics\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 88\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 17 × 24 cm\u003cbr\u003e\u003cstrong\u003eSubjects:\u003c\/strong\u003e Harsh noise, power electronics, cassette culture, underground music history\u003cbr\u003e\u003cstrong\u003eInterviews:\u003c\/strong\u003e Vidna Obmana, Don van Dijk, David Padbury, Eriek van Havere, Stef Windelinx, Ameury Perez, Peter Zincken (autobiographical notes), Con-Dom, THU20\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":53850943127898,"sku":"FDW-WEKNOWHOWTOHATE-KP","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/we-know-how-to-hate-the-opus-dei-society-story-front-cover.jpg?v=1785774608"},{"product_id":"americas-greatest-noise","title":"America's Greatest Noise — Frans de Waard","description":"\u003ch2\u003e\n\u003cem\u003eAmerica's Greatest Noise\u003c\/em\u003e — Ron Lessard, RRRecords, and Underground Noise History\u003c\/h2\u003e\u003cp\u003ePublished by \u003ca href=\"\/collections\/korm-plastics\" title=\"Browse all Korm Plastics publications at Lokator100\"\u003eKorm Plastics\u003c\/a\u003e, \u003cem\u003eAmerica's Greatest Noise\u003c\/em\u003e is a book by Frans de Waard on Ron Lessard, his record store in Lowell, Massachusetts, and the label RRRecords, which operated from 1986 to 2009. It is a noise music book concerned less with cataloguing releases than with the actual shape of running a label: unfinished projects, distribution decisions, scene-building through persistence and contradiction.\u003c\/p\u003e\u003cp\u003eRRRecords released work by Blackhouse, F\/i, and PGR, and issued the first Merzbow LP outside Japan. But the label's practice extended well beyond its catalogue. Regional compilations, lock groove records, anti-records — objects with no music and a conceptual or visual edge — and the RRRecycled Music series all figure in the account. These formats were not peripheral; they were central to how RRRecords operated.\u003c\/p\u003e\u003cp\u003eRon Lessard's own activity runs through the book in parallel. His Emil Beaulieau persona, the Minutoli turntable, performances that folded the comic businessman into noise practice — all of this is treated as part of the same structure rather than as biographical colour. Sound, object, performance, and distribution were not separate concerns at RRRecords, and the book does not separate them. An introduction by Dominick Fernow opens the text. Appendix material and black-and-white images drawn from flyers, invitations, and fanzines extend it into archival territory. Design is by Alfred Boland.\u003c\/p\u003e\u003cp\u003eThis is the second edition, issued without flexi disc. It sits within the broader \u003ca href=\"\/collections\/music-books-sound-culture\" title=\"Browse music history, label history, and archive publications at Lokator100\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e catalogue alongside other publications on label history, sound culture, and experimental music documentation.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eAmerica's Greatest Noise\u003c\/em\u003e is not written from outside noise history. It comes from inside a network of tape culture, underground labels, reviews, and independent distribution. That proximity gives the book its tone: informed, scene-specific, and more interested in how these structures actually worked than in retrospective mythology.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":53860362617178,"sku":"FDW-AMERICASGREATESTNOISE-KP","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/america-s-greatest-noise-frans-de-waard-front-cover.jpg?v=1785781369"},{"product_id":"new-wave-post-punk-graphics-1980-2000","title":"New Wave \/ Post-Punk Graphics (1980-2000)","description":"\u003ch2\u003eTape and Vinyl Graphics from the New Wave and Post-Punk Era\u003c\/h2\u003e\n\u003cp\u003eThis volume compiles graphic material produced for tape and vinyl releases across the new wave and post-punk scenes between 1980 and 2000. Cover art, logos, sleeve layouts, and associated visual ephemera are gathered here as a documentary record of two decades of underground music design.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003ca href=\"\/collections\/masala-noir\"\u003eMasala Noir\u003c\/a\u003e in 2024, the book belongs to a series of archive-format publications focused on the visual output of underground and independent music cultures. Each volume in the series treats its subject as primary source material rather than retrospective commentary. \u003cem\u003eNew Wave \/ Post-Punk Graphics\u003c\/em\u003e follows the same approach: images are presented without editorial inflation, and the period speaks through the work itself.\u003c\/p\u003e\n\u003cp\u003eThematically adjacent titles in the catalogue include \u003ca href=\"\/products\/punk-flyers-1975-2020\"\u003ePunk Flyers (1975–2020)\u003c\/a\u003e, which documents print culture across a longer arc of punk's visual history, and \u003ca href=\"\/products\/noise-graphics-book\"\u003eNoise Graphics 1980–1990\u003c\/a\u003e, which covers the parallel noise music scene during the same opening decade. Also from \u003ca href=\"\/collections\/masala-noir\"\u003eMasala Noir\u003c\/a\u003e: \u003ca href=\"\/products\/death-metal-graphics-1980-2020-masala-noir\"\u003eDeath Metal Graphics (1980–2020)\u003c\/a\u003e and \u003ca href=\"\/products\/japanese-punk-graphics-1980-2010\"\u003eJapanese Punk Graphics (1980-2010)\u003c\/a\u003e. Further titles — \u003ca href=\"\/products\/speed-metal-logos-1990-2020\"\u003eSpeed Metal Logos (1990-2020)\u003c\/a\u003e and \u003ca href=\"\/products\/gabber-hardcore-logos-1990-2000\"\u003eGabber \/ Hardcore Logos (1990-2024)\u003c\/a\u003e — extend the series into adjacent scenes and formats. The full range is browsable under \u003ca href=\"\/collections\/music-books-sound-culture\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e.\u003c\/p\u003e","brand":"Masala Noir","offers":[{"title":"Default Title","offer_id":54301479797082,"sku":"9782494834439","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/new-wave-post-punk-graphics-1980-2000-front-cover.jpg?v=1788866566"},{"product_id":"japanese-punk-graphics-1980-2010","title":"Japanese Punk Graphics (1980-2010)","description":"\u003ch2\u003eJapanese Punk Graphics 1980–2010\u003c\/h2\u003e\n\n\u003cp\u003eA documentary archive of punk visual culture from Japan, spanning three decades of graphic production across flyers, zines, record sleeves, and hand-drawn typography. Published by \u003ca href=\"\/collections\/masala-noir\"\u003eMasala Noir\u003c\/a\u003e, the book maps a period — 1980 to 2010 — in which Japanese underground scenes developed a graphic language distinct from their Western counterparts: more compressed, more typographically dense, and operating within a different set of material constraints.\u003c\/p\u003e\n\n\u003cp\u003eThe period covered traces punk's initial arrival in Japan through its absorption into hardcore, noise, and adjacent subgenres, documenting how visual identity evolved alongside the music. The material functions as both a graphic-design reference and a record of subcultural self-representation.\u003c\/p\u003e\n\n\u003cp\u003eRelated titles in the \u003ca href=\"\/collections\/music-books-sound-culture\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e collection include \u003ca href=\"\/products\/punk-flyers-1975-2020\"\u003ePunk Flyers (1975–2020)\u003c\/a\u003e and \u003ca href=\"\/products\/new-wave-post-punk-graphics-1980-2000\"\u003eNew Wave \/ Post-Punk Graphics (1980-2000)\u003c\/a\u003e. For adjacent underground graphic archives, see also \u003ca href=\"\/products\/noise-graphics-book\"\u003eNoise Graphics 1980–1990\u003c\/a\u003e and \u003ca href=\"\/products\/death-metal-graphics-1980-2020-masala-noir\"\u003eDeath Metal Graphics (1980–2020)\u003c\/a\u003e.\u003c\/p\u003e","brand":"Masala Noir","offers":[{"title":"Default Title","offer_id":54301479895386,"sku":"9782494834132","price":31.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/japanese-punk-graphics-1980-2010-pink-cover.jpg?v=1789323967"},{"product_id":"speed-metal-logos-1990-2020","title":"Speed Metal Logos (1990–2020)","description":"\u003ch2\u003eSpeed Metal Logos (1990–2020)\u003c\/h2\u003e\n\u003cp\u003eAn archive of speed metal band logos compiled by \u003ca href=\"\/collections\/masala-noir\"\u003eMasala Noir\u003c\/a\u003e, covering three decades of underground heavy music visual identity. The book documents sharp lettering, aggressive marks, and chrome effects drawn from the speed metal scene between 1990 and 2020 — presented without editorial commentary, as a graphic record.\u003c\/p\u003e\n\u003cp\u003ePublished as part of the \u003ca href=\"\/collections\/music-books-sound-culture\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e catalogue, this softcover volume is printed on Munken 90 g paper. Dimensions: 13×17 cm, 96 pages. ISBN: 9782494834576.\u003c\/p\u003e\n\u003cp\u003eRelated titles in the Masala Noir series: \u003ca href=\"\/products\/death-metal-graphics-1980-2020-masala-noir\"\u003eDeath Metal Graphics (1980–2020)\u003c\/a\u003e, \u003ca href=\"\/products\/punk-flyers-1975-2020\"\u003ePunk Flyers (1975–2020)\u003c\/a\u003e, \u003ca href=\"\/products\/noise-graphics-book\"\u003eNoise Graphics 1980–1990\u003c\/a\u003e, and \u003ca href=\"\/products\/gabber-hardcore-logos-1990-2000\"\u003eGabber \/ Hardcore Logos (1990-2024)\u003c\/a\u003e.\u003c\/p\u003e","brand":"Masala Noir","offers":[{"title":"Default Title","offer_id":54301480190298,"sku":"9782494834576","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/speed-metal-logos-1990-2020-cover-front.jpg?v=1788867286"},{"product_id":"gabber-hardcore-logos-1990-2024","title":"Gabber \/ Hardcore Logos (1990–2024)","description":"\u003ch2\u003eGabber and Hardcore Logos, 1990–2024\u003c\/h2\u003e\n\u003cp\u003eAn archive of graphic identities from European rave culture. The book collects artist marks, label identities, and distorted lettering produced within gabber and hardcore scenes across three and a half decades — from the early 1990s through 2024.\u003c\/p\u003e\n\u003cp\u003eThe material is presented as a visual record of a graphic language that developed largely outside mainstream design discourse: compressed type, aggressive distortion, and high-contrast forms that served as immediate identifiers within a dense, fast-moving underground.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003ca href=\"\/collections\/masala-noir\"\u003eMasala Noir\u003c\/a\u003e, whose archive-format titles in the \u003ca href=\"\/collections\/music-books-sound-culture\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e series follow a consistent approach — focused subject, compact format, no editorial apparatus. Related titles in the same format include \u003ca href=\"\/products\/death-metal-graphics-1980-2020-masala-noir\"\u003eDeath Metal Graphics (1980–2020)\u003c\/a\u003e, \u003ca href=\"\/products\/punk-flyers-1975-2020\"\u003ePunk Flyers (1975–2020)\u003c\/a\u003e, and \u003ca href=\"\/products\/speed-metal-logos-1990-2020\"\u003eSpeed Metal Logos (1990-2020)\u003c\/a\u003e.\u003c\/p\u003e","brand":"Masala Noir","offers":[{"title":"Default Title","offer_id":54303439454554,"sku":"9782494834101","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/gabber-hardcore-logos-1990-2024-cover.jpg?v=1788866436"},{"product_id":"korm-plastics-noise-archive-set","title":"Korm Plastics Noise Archive Set","description":"\u003ch2\u003eThree Korm Plastics Publications on Underground Noise and Cassette Culture\u003c\/h2\u003e\n\u003cp\u003eThe Korm Plastics Noise Archive Set brings together three softcover publications from \u003ca href=\"\/collections\/korm-plastics\"\u003eKorm Plastics\u003c\/a\u003e, each documenting a distinct chapter in the history of underground noise, harsh noise, and cassette culture. All three volumes share the same format — softcover, 17 × 24 cm — and are drawn from the \u003ca href=\"\/collections\/music-books-sound-culture\"\u003eMusic Books \u0026amp; Sound Culture\u003c\/a\u003e catalogue.\u003c\/p\u003e\n\n\u003ch3\u003e\u003ca href=\"\/products\/americas-greatest-noise\"\u003eAmerica's Greatest Noise\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eWritten by \u003ca href=\"\/collections\/frans-de-waard\"\u003eFrans de Waard\u003c\/a\u003e, this book documents Ron Lessard and RRRecords — the Massachusetts-based label and distribution operation that shaped the circulation of underground noise and anti-records across the cassette network. The text covers the wider history of noise and cassette culture that RRRecords inhabited and helped sustain, with black-and-white images throughout and an introduction by Dominick Fernow. This is the second edition, issued without the flexi disc included in the first. Softcover, 144 pages, 17 × 24 cm. Published by Korm Plastics.\u003c\/p\u003e\n\n\u003ch3\u003e\u003ca href=\"\/products\/we-know-how-to-hate-the-opus-dei-society-story\"\u003eWe Know How To Hate – the Opus Dei Society Story\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eAlso by Frans de Waard, this compact volume reconstructs the history of the Opus Dei Society harsh noise cassette label through label notes, interviews, and reprinted texts. The label issued twenty-three cassettes; the book traces that catalogue and the network of people and practices that surrounded it. Softcover, 88 pages, 17 × 24 cm. Published by Korm Plastics.\u003c\/p\u003e\n\n\u003ch3\u003e\u003ca href=\"\/products\/even-when-it-makes-no-sense-the-broken-flag-story\"\u003eEven When It Makes No Sense – the Broken Flag Story\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eWritten by Steve Underwood, this 2024 Korm Plastics publication covers the English noise and power electronics label Broken Flag. The text expands an earlier version published in \u003cem\u003eAs Loud As Possible\u003c\/em\u003e into a fuller account of the label's output, its place within cassette culture, and the fanzines and underground print networks that surrounded it. Softcover, 144 pages, 17 × 24 cm. Published 12 November 2024.\u003c\/p\u003e\n\n\u003cp\u003eAll three titles are part of Korm Plastics' ongoing documentation of underground sound culture. Further titles by Frans de Waard and other Korm Plastics authors are available in the shop.\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":54409394028890,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/files\/korm-plastics-noise-archive-set-three-books-cover.jpg?v=1784124818"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0946\/3359\/1130\/collections\/printed-underground-scenes-graphics-diy-culture-black-white-speckled-pattern_8fbab82d-9d7e-4eec-9675-08081b3ef047.jpg?v=1785769761","url":"https:\/\/lokator100.store\/collections\/printed-underground.oembed?page=2","provider":"Lokator100","version":"1.0","type":"link"}