À l'intérieur des yokai
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À l'intérieur des yokai (Inside the Yokai) presents around 85 anatomical cross-section drawings of yōkai created by Shigeru Mizuki in the 1960s, with texts adapted into French by Jean-Louis Capron. Published by Éditions Cornélius in 2018 as part of the Collection Solange series. 96 pages, printed in black and Pantone orange, hardcover with cloth spine.
- Format: Hardcover with cloth spine
- Pages: 96
- Size: 22.5 × 1.7 × 29 cm
- Publisher: Éditions Cornélius, 2018
- Language: French
- Edition: Collection Solange
À l'intérieur des yokai — Inside the Yokai
Published by Éditions Cornélius in April 2018, À l'intérieur des yokai collects approximately 85 anatomical cross-section drawings that Shigeru Mizuki produced in the 1960s. The premise is precise and deadpan: if yōkai are real, they require internal organs adapted to their particular capacities. Each drawing renders those organs with the same draftsmanly attention Mizuki brought to his manga backgrounds — detailed, systematic, and entirely straight-faced.
The subjects range across Japanese folklore. Fukurosagé, a tanuki from Nagano Prefecture, is shown to possess a stomach capable of converting food directly into sake. Mannendaké — a bamboo said to be ten thousand years old — uses finger-like appendages resembling syringes to extract the souls of travelers who stray too close. The accompanying texts, written by Mizuki and adapted into French by Jean-Louis Capron for this edition, maintain the same tone as the drawings: matter-of-fact, quasi-scientific, and quietly absurd.
The book belongs to the Collection Solange series and is printed in black and Pantone orange — a restrained palette that suits both the folkloric subject matter and the clinical register of the anatomical format. The binding is hardcover with a cloth spine (couverture cartonnée avec dos toilé), giving the volume a physical weight appropriate to its reference-book posture.
For buyers already familiar with Mizuki's yōkai universe, the related title Mononoke is also available. Those exploring the broader field of artist publications and illustrated books may find further titles in the Artbooks collection.
Shigeru Mizuki (1922–2015)
Born Shigeru Mura on 8 March 1922 in Sakaiminato, Japan, Mizuki adopted his pen name early in his career. Drafted into the Imperial Army during World War II, he lost his left arm in combat — an experience that informed his later antimilitarist work, including Onward Towards Our Noble Deaths. He began in kamishibai (paper theater) before transitioning to manga in the late 1950s.
His interest in yōkai — supernatural creatures from Japanese folklore — was shaped in part by a woman he called "Nonnonba," whose oral storytelling during his childhood in Sakaiminato left a lasting impression. He combined that early exposure with extensive ethnographic research, producing a body of work that treated folklore as a serious subject rather than children's entertainment. His most widely known series, GeGeGe no Kitarō, brought yōkai into mainstream Japanese popular culture.
Mizuki's graphic style characteristically set cartoonish figures against highly detailed, almost photorealistic backgrounds, and his depictions of supernatural creatures drew on both visual imagination and folkloric precision. His work frequently engaged autobiography, history, and social critique. He died on 30 November 2015.
Year: 2018
Format: Hardcover with cloth spine
Pages: 96
Dimensions: 22.5 × 1.7 × 29 cm
Weight: 0.8 kg
Language: French
ISBN: 978-2360811465
Edition: Collection Solange
Publisher / Manufacturer:
Éditions Cornélius
Country of origin:
France
Website:
https://www.cornelius-boutique.com
Email:
cornelius@cornelius.fr
Address:
Éditions Cornélius
Fabrique Pola
10 Quai de Brazza
33100 Bordeaux
France
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