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Frans de Waard | Korm Plastics

America’s Greatest Noise

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  • 30-day returns

America’s Greatest Noise is a Korm Plastics book by Frans de Waard on Ron Lessard, RRRecords, anti-records, and the wider history of underground noise and cassette culture.

  • Book on Ron Lessard and RRRecords
  • Written by Frans de Waard
  • Covers noise, anti-records, and underground label history
  • Includes black and white images and appendix material
  • Softcover, 144 pages, 17 × 24 cm
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About the Book

America’s Greatest Noise book — RRRecords, Ron Lessard, and underground noise history

America’s Greatest Noise follows the history of Ron Lessard, his record store in Lowell, Massachusetts, and the label RRRecords, which operated from 1986 to 2009. The book is less concerned with a standard cataloguing of releases than with the broader shape of a life in underground music: running a label, managing a store, dealing with unfinished projects, and building a scene through persistence, contradiction, and invention.

That makes the book especially strong as a document of noise culture. RRRecords released work by Blackhouse, F/i, PGR, and the first Merzbow LP outside Japan, but it also became known for stranger formats and ideas, including regional compilations, lock groove records, and anti-records — records with no music and a more conceptual or visual edge. The book allows that wider practice to remain central rather than treating it as anecdotal detail.

Ron Lessard’s own activity as Emil Beaulieau and in Due Process also runs through the story. His performances, the Minutoli turntable, the comic businessman persona, and the accumulated oddness of RRRecords all point to a culture in which sound, object, performance, and distribution were inseparable. With appendix material, black-and-white images sourced from flyers, invitations, and fanzines, and an introduction by Dominick Fernow, the book works as both narrative and archive.

Anti-records, RRRecycled Music, and the wider RRRecords world

  • Focuses on Ron Lessard and the history of RRRecords
  • Covers noise, underground label culture, and experimental music distribution
  • Includes material on anti-records and RRRecycled Music
  • Uses appendices and black-and-white source material to extend the archive
  • Relevant for readers of noise history, cassette culture, and DIY music publishing

Edition details for America’s Greatest Noise

About the Author

About Frans de Waard

Frans de Waard is a Dutch musician, writer, editor, and publisher active in experimental sound culture since 1984. He is closely associated with Kapotte Muziek, Korm Plastics, Staalplaat, and Vital / Vital Weekly, and his books often grow directly out of long-term participation in the scenes they describe.

That background matters here. America’s Greatest Noise is not written from outside noise history, but from inside a network of tape culture, underground labels, reviews, and independent distribution. That proximity gives the book its tone: informed, scene-specific, and less interested in mythology than in how these structures actually worked.

GPSR

Publisher / Manufacturer: Korm Plastics
Country of origin: Netherlands
Website: https://www.kormplastics.nl

Email: info@kormplastics.nl
Address:
Korm Plastics / Frans de Waard
Acaciastraat 11
6521 Nijmegen
Netherlands

Packaging & Shipping

We pack books to arrive in the condition described: protected corners, rigid backing, paper cushioning, and a sturdy outer package. Heavier or collectible editions receive an extra layer of protection. Any defects are documented on the product page—packing doesn’t hide condition, it reduces transit risk.

We ship from Germany, usually on the next business day after payment. Germany: typically 2–5 business days, EU: often 3–7 business days; international depends on destination and customs. Tracking is included for all services and is provided once the parcel is handed over to the carrier. During peak periods, transit times may extend. See the Shipping Policy.

Returns

Returns are possible within 30 days of delivery (e.g., if the item doesn’t match the description or you changed your mind). Please contact us before sending anything back—we’ll provide the return address and the best return option. Items should be returned in the same condition as received. Once the return is received and checked, we refund to the original payment method. See the Refund Policy.

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