The Fire That Drank The Shadow – Deluxe Edition
The Fire That Drank The Shadow is an artbook by Julia Soboleva, published by The Mansion Press. Working across painting, collage, and found photographic imagery, Soboleva builds scenes that resist straightforward reading — faces fragmented, bodies displaced, tones shifting between restrained humour and something colder. The work draws on post-Soviet atmospheres and the weight of inherited stories without resolving into documentary.
The Deluxe Edition
This Deluxe Edition extends the project with 90 exclusive pages and a variant cover not present in the standard release, bringing the total to 408 pages. Buyers weighing both editions will find the comparison direct: The Fire That Drank The Shadow in its standard form covers the core body of work; the Deluxe Edition adds material that extends the project's visual and thematic scope.
Visual and Thematic Content
Soboleva's mixed-media method places painting and collage directly onto found photographic imagery, producing surfaces that carry the weight of existing pictures while redirecting their meaning. The imagery moves through family traces, taboo details, and transgenerational trauma — territory handled through indirection rather than direct statement. Innocence appears alongside contamination; softness sits next to threat. The tone stays controlled without resolving into comfort. A related earlier work, In a Dark Time, the Eye Begins to See, offers further context for Soboleva's practice.
The Object
The book is hardcover, bound in cloth with hot gold stamping on the cover, and includes a sewn ribbon bookmark. The interior is printed on Munken 150g paper. The format measures 19 × 22 cm. It sits within the Artbooks & Artist Publications catalogue at Lokator100.
About the Artist
Julia Soboleva is a Latvia-born, UK-based mixed-media artist. Her practice centres on painting and collaging directly onto found photographic imagery, producing work that reflects on madness, reality, and the boundaries between them, built with ominous tones and a restrained, often unsettling absurd humour. Family, taboo, and transgenerational trauma recur as subjects. She earned an MA in Illustration at Manchester School of Art in 2018 and works alongside her practice as an educator and freelance designer.
Condition
Last blank page is bent at the lower fore-edge, with a diagonal crease and light wrinkling. Rear endpaper has a faint crease/scuff. Binding appears intact. Otherwise new and unread.
